What can you deduct as a content creator? The full list by category
From your camera to your internet subscription: which costs come off your profit, which count only in part, and which the Belastingdienst simply strikes out.
Read morePractical articles on tax, VAT and platform payouts for creators, streamers and makers.
From your camera to your internet subscription: which costs come off your profit, which count only in part, and which the Belastingdienst simply strikes out.
Read moreYour customer is not your fan, it is the platform. And that platform is abroad. That single fact decides almost everything about your VAT return.
There is no amount above which you suddenly become an entrepreneur. There is a set of facts, and it tips sooner than creators think.
The amount in your bank account is not your turnover. What sits in between is commission, an exchange difference and sometimes a month of delay.
Your home address can be shielded. Your business address cannot. Work from home and those are the same address, which makes shielding not enough.
The law excludes clothing almost entirely, even when you only wear it for content. There is one category that does count, and it is structurally forgotten.
Which amounts belong where, in what order your profit is peeled back, and why the pre-filled return never knows about your platform income.
It exists only for EU customers, and creators get it wrong in both directions: skipping it when it is required, and filing it for turnover that does not belong in it.
Below a certain threshold a purchase comes off your profit in full this year. Above it, it is spread across years. That distinction decides your tax.
The code changes nothing about your tax, but it does change what can publicly be read about your work and whether a bank accepts your account.
The KOR saves you four returns a year and costs you all the VAT on your equipment. For creators charging 0%, that is almost always the wrong side of the trade.
The space you record in only counts as a workspace fiscally if it meets strict requirements. A corner of your bedroom does not, and even then something is possible.
Subs and bits run through the platform. A donation through your own link comes from the viewer. That difference decides the VAT treatment of every euro.
Fill in no tax details with Google and a high percentage of your worldwide income is withheld by default. Under the treaty that can go to nil.
You receive goods in return for content. No money changes hands, and fiscally it is still a transaction with two sides.
1,225 hours a year, and far more work counts than creators think. But without a record kept during the year there is no way to substantiate it afterwards.
A shoot in another city is business. A weekend away where filming also happened is not. The line sits at the programme, not at the camera.
Four platforms does not mean four sets of books. It does mean four commission rates, possibly three currencies and sometimes two VAT regimes in one return.
Two or three years of doing nothing is the most common question in our first conversation. It is almost always fixable, and the outcome is usually better than feared.
A BV only becomes favourable above a profit higher than most people think. And the non-fiscal reasons sometimes weigh more for creators than the sum does.